- Keeping himself updated in his area of expertise and learning about the world everyday.
- The foreign exchange rate at the time of shoot which helps to reduce the cost of the movie. For eg: an opera location in France which would cost Rs.40 crores was completed in 1/10th the cost by shifting the location to Macedonia for the movie Mersal.
- The ability to find multi-national extras required for the movie.
- Weather. For eg: He speaks about how during the 90s and early 2000s there was a trend that started to shoot songs in Switzerland in Tamil cinema. However, it was not suitable during the winter months but the producers wanted to keep shooting throughout the year. That's when he discovered the beauty of New Zealand which has completely contrasting weather. This helped in keeping the shooting on through out the year.
Wide Angle with Natarajan Ramji : A feast for the movie trivia geeks
Dear Zindagi : A must watch for all youngsters for years to come
So yesterday I saw Dear Zindagi on Netflix for the 2nd time. The first time I saw it when it had released years ago. This time, the movie left a deep impact on me for some reason. Maybe I am a different person after all these years which is why the movie spoke to me and made so much sense. I also felt slightly guilty for not having appreciated this movie when it released. But it's better late than never. So here are some of things that caught my attention in this movie.
1. Alia Bhatt's performance. This movie was released in 2016 and at the time, she was just 4 or 5 years into the industry. But that did not stop her from portraying such a complex character with so much ease. She showcases so many emotions such as rage, anger, innocence, desperation to feel loved and belong, etc with such conviction that you are convinced that this person Kaira really exists.
2. Shah Rukh Khan as Dr. Jehangir Khan was just right. The role needed a superstar like him for the message that was conveyed to reach the masses. Hats off to King Khan for picking up such an unconventional role for a super star.
3. The portrayal of what goes through a person's mind before going for therapy and the fear of judgement from the society was on point. Even today, there are a lot of people who suffer silently due to the fear of what judgement of going to a therapist. People immediately label you as "Mental" if they hear that you are seeing a therapist of psychiatrist. The movie shows what therapy is and tries to normalise it.
4. There is a subtle message that perhaps is most important in my opinion - "Forgive your parents if you were wronged by their decisions in your childhood." That message is absolutely need and so different compared to typical Hindi movies that put parents on a pedestal and showcase that they can never be wrong. But the truth is, they are humans just like us and fallible. A lot of people keep blaming their parents for their career, marriage and just life in general and keep that spite in their heart. This movie tells you to bring them down from the pedestal and see them as mere humans.
Thank you Gauri Shinde for making this movie.
#Varisu - Old wine in a new, shiny, stylish bottle
- Rashmika and Vijay meeting scene.
Conventional dance songs are no longer welcome in movies ? #Vaarisu #Thunivu
I had an opportunity to watch both the Pongal releases this weekend - Vaarisu and Thunivu. Both were quite entertaining and completely different genres which was great for me as an audience. One was a family story filled with comedy and family drama while the other a layered bank heist story full of high paced action.
The theatre was packed and both movies were cheered by the audiences with full vigour.
However, while watching Vaarisu, I saw that this popular song Ranjithame which has 140M+ views on Youtube, had a very luke warm response in the theatre. The problem was that this song was just stitched into the 2nd half of the movie very abruptly. While the audience were engrossed into the story, this felt like a very unwelcome interruption. Though it's a very nice song with great energy, it just didn't go with the flow of the screenplay.
On the other hand, Thunivu did not have this unnecessary cut to a song in the middle of the story. The dance number was safely put at the end of the movie.
This seems to be the trend that a lot of movies have been following for years now which is quite welcome by the audience.
I wonder why Vaarisu makers did not do the same.
HIT 2 : A distant cousin to Goodachari and Evaru
Cobra: Does not meet expectations
Cobra started off like an extremely promising assassin story with multiple locations, multiple getups and high-fi assassination techniques.
Alas! The joy was short lived and the story kept branching deeper and deeper into Mathi's(Vikram) personal story and his past life and traumas. At one point, the villain who was introduced in the first scene as some arrogant & cruel beast, was just left out from main plot line after a point.
There were just too many cinematic liberties the writers took that almost felt like they were writing it for children who would believe anything. For a movie that spoke so much about math and game theory, logic in the story and scenes was a basic that one would expect.
Here are a few things that kept me dissatisfied throughout the 3+ hours of watching the movie.
- The love angle between Bhavana(Shrinidhi Shetty) and Mathi(the Math teacher Vikram) was completely pointless to the whole story. The was a very weak connection via a student who is working on following Mathi's assassinations along with Interpol. At the end of the movie, I felt that we need not have seen known about this character and relationship at all. There were so many scenes and characters surrounding this love plot line that could have been cut out saving the movie a lot of money and reducing the movie length significantly.
- The mathematician student Judith(Meenakshi) who explains the Orissa CM's murder case just conveniently follows Interpol officer Aslan(Irfan Pathan) everywhere -- literally following him in interrogation chambers, shootouts, meetings with Russian defence team, etc. That character need not have been there at all, she could have disappeared after giving the theory. I do not know who in the right mind, let alone Interpol, would keep carrying civilians to all important discussions and risky operations.
- The villain was rendered toothless and conveniently killed off when the story needed to end. There was no logic or reason as to why the villain who was initially sending assassins to kill would in the end himself go to shoot Mathi and eventually get killed. Also, I did not understand why they had to show so many naked white girls and this villain abusing some girls in the background. Just pointless and added nothing to the story!
- The movie explains that Mathi/Kathir is a genius mathematician. However, they failed to establish how a kid who has hallucinations, keeps doing math can aim and shoot at his target so well. How is he so good at hand combats and climbing large structures with such ease?
- There were so many smaller flaws that were hard to ignore like dubbing for Bhavana's and Jenny's characters was not lip synced well. There was a fight in Kolkata with Bengali goons chasing Mathi/Kathir but they were speaking fluent Tamil. They were on a conference call with Mathi/Kathir for some reason and it was baffling as an audience to understand what was happening.
In totality, Cobra is a movie with a great start which did not follow through till the end. I was very disappointed to be honest. The story had so many complex and ambitious ideas, I expected better from the writers.
Thiruchitrambalam: A Breezy watch
RRR : It's all about extremes
The movie RRR (Rise Roar Revolt) just works. Here is why I believe it worked and continues to work for so many people across the world (yes, I believe it is pan-world and not just pan-India). It is a movie about extremes - some of which you get to see in super-hero movies of the west. The Indian movie offers a lot more extremes due to the rich culture and history of India and S.S. Rajamouli's grand story-telling.
Here are some of the extremes you get to see in this extremely entertaining movie --
- Extreme patriotism for the country and the community : This is the obvious thread that connects Ram and Bheem - both are on a mission owing to the patriotism for their country and tribe.
- Extreme friendship : The lengths to which Ram goes to save Bheem from the death sentence and vice-versa what Bheem does to free Ram from the prison and the death sentence are what you can only see in movies which is why your heart melts seeing this extreme friendship, almost yearning for a similar friendship in your own life.
- Extreme dedication : The dedication Ram has for the job he has taken up - to put a gun in the hands of every freedom fighter and the Bheem has for his mission to bring back Malli to the Gond tribe.
- Extreme selflessness: Without being extremely selfless, Ram, Bheem and their respective friends and buddies would not be able to do what they did in the story. Be it Ram's villagers training for years to fight back the British or Bheem's tribe capturing wild animals to help with Malli's rescue mission.
- Extreme arrogance: If not for the extreme arrogance of Governor Scott Buxton, the story wouldn't have had the same impact on the audience in rousing the emotions of anger.
- Extreme mental strength and focus: Ram and Bheem's extreme mental strength and focus on the goal was aptly portrayed when they were getting tortured by the British in the prison and beaten up with the whip.
- Extreme karma: There was some sort of poetic justice in the way Governor Scott Buxton's death was portrayed. Wrapped in a barbed wired fence and dripping blood -- the same which she devilishly subjected Bheem to when he was captured by the British - her wish for Bheem reversed onto her during her death.
Well, on the whole, RRR was as a roller-coaster of an experience emotionally which is why I believe it has enthralled audiences across the world and become the success that it is today.
Thank you S.S.Rajamouli for penning the story and Ram Charan and Jnr NTR for bringing Ram and Bheem to life.
Piku : Just too real




